Browse Exhibits (3 total)

Tracking Relocation and Adaptation Throughout History

Sourced from diverse collections, this exhibit highlights ethnic communities' struggles in attempting to relocate, relate to other cultures as the minority, and ultimately, uphold their ethnic culture simultaneously. With a unique twist to each collections' situation and focus, we will examine and understand the experiences of Haitian, Latinx, and Muslim American communities at different points in history through archival analysis.

Assimilation, Autonomy, Cultural Contestation, Cultural Preservation, Human Rights, Immigration, Latin@ Identity, Non-majority perspectives

Snapshots: Community Networks and Media Ephemerality

This exhibit includes an array ephemeral pieces, all of which give insight into how non-majority communities communicate both with themselves and with others via creative outlets.

Activism, Advocacy, Anti-War, Chicano, Cultural Preservation, Ephemeral Media, Feminism, HIV, HIV/AIDS, Latin@ Identity, LGBTQ, Minority Perspectives, Non-Majority Communities, Protest, protests, Reproductive Health, Social Change, Texas, Vietnam, Visibility

Mexican-American Identity in the Southwest

In the American Southwest, particularly in Texas, there is a strong sense of regional identity connected to Mexico and the border that divides the two. This is due to the large population that identifies with Mexican heritage, from individuals who emigrated in the 2000's to those whose ancestors emigrated in the 1800s. Today, that identity is condensed into the concept of being a "Mexican-American", in part defined by the journeys taken by their ancestors from Mexico to the US and often back again. The traversing of a "border", whether legal or conceptual, is often integral to identity formation and something we hope to explore through this exhibit.

In order to trace the identity of Mexican-Americans in the Southwestern United States, or "Borderlands", the exhibit will look at artifacts from a 19th century Spanish-language theatre troupe to photos of migrant farmers of the 1930s, to contemporary scripts continuing the legacy of the 20th century Chicano movement.

By Kira Azulay, Ashton Sauseda, Brennan Upchurch

1880s, 1910s, 1920s, 1980s, 19th Century, 20th Century, Chicano, Family, Latin@ Identity, Latina, Mexican-American Theater, Mexico, Migrant Farmers, Migration, photography, Spanish, Texas, United States, Women Authors