Browse Exhibits (3 total)
This exhibit will draw on materials from the Dolph Briscoe Center for American History and the LLILAS Benson Latin American Collection to highlight stories of the Mexican American experience in Texas during the 20th century. The exhibit begins in the 1910s with the upheaval of the Mexican Revolution and ends in the 1990s with important educational and artistic movements occurring within Tejano communities. While these materials can be viewed in isolation from one another, we hope to impress that what links these selected materials is the impact that these hidden histories have had on the discourse and participation in activism and advocacy for Tejano communities. The materials presented demonstrate how different facets of Tejano activism and advocacy came into existence and operated at different points in the 20th century, and acted as a foundation for successive generations to either build upon or proliferate in new directions.
Throughout American history, families and governance have attempted to control and cure both physical and mental disabilities. This concept is most clearly manifested in the American institution. Beginning in the nineteenth century, institutionalization became a way to remove people with disabilities from the remainder of society, in hopes that this isolation would help to rehabilitate these individuals without disrupting the lives of the majority able minded and bodied population. By exploring how these structures became embedded in American society through a literature review, our exhibit will set the stage for our primary documentation of the individual institution experience.
Using materials from the University of Texas archives and lenses of medical paternalism, physical and mental disability, and minority mental health, our exhibit will explore the detrimental effects of forced institutionalization as a means to segregate society, and will examine the movements which shifted society’s view of mental and physical disabilities and which sparked reform efforts.
This exhibit includes an array ephemeral pieces, all of which give insight into how non-majority communities communicate both with themselves and with others via creative outlets.